Propane Nightmares - Live at Brixton Academy
- Key
- 6A · G minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 11m
- Energy
- 94/100
- Pop
- 7/100
- Length
- 6:04
- Released
- 2009
- Album
- Live at Brixton Academy
- Genre
- Drum N Bass
- Loudness
- -5.8 dB
- ISRC
- GBAHT0900248
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Propane Nightmaresoriginal6A · 174
- Propane Nightmares - Grabbitz Remixremix1A · 85
- Propane Nightmaresoriginal6A · 174
- Propane Nightmares - V.I.P.original9B · 174
- Propane Nightmares - VST Remixremix6A · 130
- Propane Nightmares - Liveoriginal6A · 174
Against the original (6A at 174 BPM), this version holds the same tempo in the same key.
A drum n bass cut, Propane Nightmares - Live at Brixton Academy sits in G minor (6A) at 174 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. A 2009 production that still circulates in sets. Less groove-driven than 88% of Pendulum's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Propane Nightmares - Live at Brixton Academy in?
Propane Nightmares - Live at Brixton Academy by Pendulum is in G minor, or 6A on the Camelot wheel.
What BPM is Propane Nightmares - Live at Brixton Academy?
Propane Nightmares - Live at Brixton Academy runs at 174 BPM.
What mixes well with Propane Nightmares - Live at Brixton Academy?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Propane Nightmares - Live at Brixton Academy good for peak time?
With energy 94 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 174 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.