Lost and Found by Kanine cover art

Lost and Found

Kanine

30s preview

Key
7A · D minor
BPM
174
Half-time
87
Open Key
12m
Energy
96/100
Pop
36/100
Length
3:33
Released
2023
Genre
Drum N Bass
Loudness
-3.2 dB
Dynamics
9.8 dB
ISRC
US39N2306754

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in D minor (7A), Lost and Found is a drum n bass production. It reads as dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. Less groove-driven than 87% of Kanine's catalogue. For programming, treat it as an opener or closing-set piece.

Low end:
more treble-tilted than 82% of Kanine's catalogue
Reach:
better known than 78% of Kanine's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood21Dark
Groove42
Acoustic4
Instrumental11
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Lost and Found in?

Lost and Found by Kanine is in D minor, or 7A on the Camelot wheel.

What BPM is Lost and Found?

Lost and Found runs at 174 BPM.

What mixes well with Lost and Found?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Lost and Found good for peak time?

With energy 96 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#TrackKey·BPM

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 174 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Kanine

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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