Division
- Key
- 4A · F minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 3:48
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -3.1 dB
- ISRC
- FRX202254728
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Division: drum n bass, F minor (4A), 175 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. More underground than 99% of Kanine's catalogue.
- Groove:
- less groove-driven than 98% of Kanine's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Division in?
Division by Kanine is in F minor, or 4A on the Camelot wheel.
What BPM is Division?
Division runs at 175 BPM.
What mixes well with Division?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Division good for peak time?
With energy 93 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 175 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Kanine
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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