Witchcraft - John B Remix
- Key
- 4A · F minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 9m
- Energy
- 95/100
- Pop
- 13/100
- Length
- 6:54
- Released
- 2010
- Album
- Witchcraft
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- ISRC
- GBAHT1000177
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Witchcraftoriginal3B · 174
- Witchcraft - Pegboard Nerds Remixremix4B · 174
- Witchcraft - Rob Swire's Drum-Step Mixoriginal4A · 174
- Witchcraft - Netsky Remixremix11A · 174
- Witchcraft - Chuckie Remixremix8B · 128
Against the original (3B at 174 BPM), this version holds the same tempo and moves the key from 3B to 4A.
Witchcraft - John B Remix: drum n bass, F minor (4A), 174 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Less groove-driven than 97% of Pendulum's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- darker than 96% of Pendulum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Witchcraft - John B Remix in?
Witchcraft - John B Remix by Pendulum is in F minor, or 4A on the Camelot wheel.
What BPM is Witchcraft - John B Remix?
Witchcraft - John B Remix runs at 174 BPM.
What mixes well with Witchcraft - John B Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Witchcraft - John B Remix good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 174 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
![Crush - Radio Edit [Radio Edit] by Pendulum cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6db74d0470808d83078a.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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