Self vs Self (feat. In Flames) by Pendulum cover art

Self vs Self (feat. In Flames)

Pendulum

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
99/100
Pop
56/100
Length
4:46
Released
2010
Album
Immersion
Genre
Drum N Bass
Label
Warner Bros. Records
Loudness
-2.4 dB
ISRC
GBAHT1000134

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Self vs Self (feat. In Flames) runs 174 BPM in B♭ minor (3A), a drum n bass record. It reads as dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Better known than 97% of Pendulum's catalogue. For programming, treat it as an opener or closing-set piece.

Energy:
hotter than 96% of Pendulum's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood33Balanced
Groove44
Acoustic0
Instrumental0
Live94
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Self vs Self (feat. In Flames) in?

Self vs Self (feat. In Flames) by Pendulum is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Self vs Self (feat. In Flames)?

Self vs Self (feat. In Flames) runs at 174 BPM.

What mixes well with Self vs Self (feat. In Flames)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Self vs Self (feat. In Flames) good for peak time?

With energy 99 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Pendulum

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.