Perfect Company by Zed Bias cover art

Perfect Company

Zed Bias

30s preview

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
93/100
Pop
2/100
Length
4:38
Released
2022
Genre
Uk Garage
Loudness
-4.4 dB
Dynamics
13.7 dB
ISRC
UKXN22221250

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Perfect Company is an uk garage track in B♭ minor (3A) at 174 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 96% of Zed Bias's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 89% of Zed Bias's catalogue
Low end:
more treble-tilted than 89% of Zed Bias's catalogue
Groove:
less groove-driven than 83% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood33Balanced
Groove64
Acoustic5
Instrumental0
Live8
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Perfect Company in?

Perfect Company by Zed Bias is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Perfect Company?

Perfect Company runs at 174 BPM.

What mixes well with Perfect Company?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Perfect Company good for peak time?

With energy 93 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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