Experimentation featuring Jenna G
30s preview
- Key
- 8A · A minor
- BPM
- 187
- Half-time
- 94
- Open Key
- 1m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 3:43
- Released
- 2007
- Album
- Experiments With Biasonics
- Genre
- Uk Garage
- Loudness
- -2.9 dB
- Dynamics
- 10.7 dB
- ISRC
- GBPHK0700035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
An uk garage cut, Experimentation featuring Jenna G sits in A minor (8A) at 187 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. A 2007 production that still circulates in sets. Less groove-driven than 99% of Zed Bias's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of Zed Bias's catalogue
- Tempo:
- faster than 98% of Zed Bias's catalogue
- Energy:
- hotter than 96% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Experimentation featuring Jenna G in?
Experimentation featuring Jenna G by Zed Bias is in A minor, or 8A on the Camelot wheel.
What BPM is Experimentation featuring Jenna G?
Experimentation featuring Jenna G runs at 187 BPM.
What mixes well with Experimentation featuring Jenna G?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Experimentation featuring Jenna G good for peak time?
With energy 98 out of 100 at 187 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 187 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 176-198 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 187 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 187 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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