Horrorzone featuring Ink Lined Minds
30s preview
- Key
- 9B · G major
- BPM
- 95
- Double-time
- 190
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 2007
- Album
- Experiments With Biasonics
- Genre
- Uk Garage
- Loudness
- -4.3 dB
- Dynamics
- 9.9 dB
- ISRC
- GBPHK0700028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Horrorzone featuring Ink Lined Minds: slow-groove tempo uk garage, G major (9B), 95 BPM. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2007 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue.
- Energy:
- hotter than 96% of Zed Bias's catalogue
- Tempo:
- slower than 95% of Zed Bias's catalogue
- Groove:
- less groove-driven than 84% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Horrorzone featuring Ink Lined Minds in?
Horrorzone featuring Ink Lined Minds by Zed Bias is in G major, or 9B on the Camelot wheel.
What BPM is Horrorzone featuring Ink Lined Minds?
Horrorzone featuring Ink Lined Minds runs at 95 BPM, a slow-groove tempo track.
What mixes well with Horrorzone featuring Ink Lined Minds?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Horrorzone featuring Ink Lined Minds good for peak time?
With energy 98 out of 100 at 95 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 95 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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