We’ve Got to Try
30s preview
- BPM
- 92
- Double-time
- 184
- Open Key
- 3d
- Energy
- 97/100
- Pop
- 27/100
- Length
- 3:36
- Released
- 2019
- Genre
- Big Beat
- Loudness
- -4.4 dB
- Dynamics
- 11.4 dB
- ISRC
- GBUM71807655
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We’ve Got to Try is a slow-groove tempo big beat track in D major (10B) at 92 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Slower than 97% of The Chemical Brothers's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- hotter than 82% of The Chemical Brothers's catalogue
- Low end:
- more bass-heavy than 80% of The Chemical Brothers's catalogue
- Groove:
- groovier than 78% of The Chemical Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is We’ve Got to Try in?
We’ve Got to Try by The Chemical Brothers is in D major, or 10B on the Camelot wheel.
What BPM is We’ve Got to Try?
We’ve Got to Try runs at 92 BPM, a slow-groove tempo track.
What mixes well with We’ve Got to Try?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is We’ve Got to Try good for peak time?
With energy 97 out of 100 at 92 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 92 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More big beat
More from The Chemical Brothers
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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