Free (Gregor Salto & DJ Madskillz Remix)
- BPM
- 188
- Half-time
- 94
- Open Key
- 3m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 6:55
- Released
- 2006
- Album
- Free
- Genre
- House
- Loudness
- -10.0 dB
- ISRC
- NLQ200700211
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Freeoriginal3B · 122
Against the original (3B at 122 BPM), this version runs 66 BPM faster and moves the key from 3B to 10A.
A house cut, Free (Gregor Salto & DJ Madskillz Remix) sits in B minor (10A) at 188 BPM. The feel is bright and euphoric. The groove is loose and less beat-driven. A 2006 production that still circulates in sets. Faster than 99% of Roger Sanchez's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of Roger Sanchez's catalogue
- Groove:
- less groove-driven than 98% of Roger Sanchez's catalogue
- Brightness:
- brighter than 86% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Free (Gregor Salto & DJ Madskillz Remix) in?
Free (Gregor Salto & DJ Madskillz Remix) by Roger Sanchez is in B minor, or 10A on the Camelot wheel.
What BPM is Free (Gregor Salto & DJ Madskillz Remix)?
Free (Gregor Salto & DJ Madskillz Remix) runs at 188 BPM.
What mixes well with Free (Gregor Salto & DJ Madskillz Remix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Free (Gregor Salto & DJ Madskillz Remix) good for peak time?
With energy 84 out of 100 at 188 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 188 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 177-199 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 188 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 188 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.