Kleiner als drei - Original Version
30s preview
- Key
- 9A · E minor
- BPM
- 180
- Half-time
- 90
- Open Key
- 2m
- Energy
- 73/100
- Pop
- 12/100
- Length
- 4:26
- Released
- 2010
- Album
- Lovestoned
- Genre
- Tech House
- Loudness
- -10.4 dB
- Dynamics
- 10.6 dB
- ISRC
- DEKN60900236
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kleiner als drei - Original Version: tech house, E minor (9A), 180 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Faster than 99% of Oliver Koletzki's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 98% of Oliver Koletzki's catalogue
- Groove:
- less groove-driven than 86% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Kleiner als drei - Original Version in?
Kleiner als drei - Original Version by Oliver Koletzki is in E minor, or 9A on the Camelot wheel.
What BPM is Kleiner als drei - Original Version?
Kleiner als drei - Original Version runs at 180 BPM.
What mixes well with Kleiner als drei - Original Version?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Kleiner als drei - Original Version good for peak time?
With energy 73 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 180 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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