Come My Way
- BPM
- 126
- Open Key
- 3m
- Energy
- 87/100
- Pop
- 26/100
- Length
- 3:20
- Released
- 2026
- Genre
- House
- Loudness
- -4.0 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Come My Way runs 126 BPM in B minor (10A), a club-tempo house record. The feel is bright and euphoric. It is vocal-led. The master is loud and heavily compressed. Brighter than 98% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 94% of Roger Sanchez's catalogue
- Groove:
- less groove-driven than 91% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come My Way in?
Come My Way by Roger Sanchez is in B minor, or 10A on the Camelot wheel.
What BPM is Come My Way?
Come My Way runs at 126 BPM, a club-tempo track.
What mixes well with Come My Way?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Come My Way good for peak time?
With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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