![Feel Good (Tv = Off) [Shinichi Osawa Edit] by Boys Noize cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/b2c021172d3f920232a3.webp)
Feel Good (Tv = Off) [Shinichi Osawa Edit]
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2006
- Album
- Kitsuné: Feel Good (TV = Off)
- Genre
- Techno
- Loudness
- -13.7 dB
- Dynamics
- 13.1 dB
- ISRC
- FRU700600020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feel Good (Tv = Off) (Original)original4B · 126
Against the original (4B at 126 BPM), this version holds the same tempo and moves the key from 4B to 3A.
Feel Good (Tv = Off) [Shinichi Osawa Edit] runs 126 BPM in B♭ minor (3A), a club-tempo techno record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2006 production that still circulates in sets. More underground than 99% of Boys Noize's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 87% of Boys Noize's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Feel Good (Tv = Off) [Shinichi Osawa Edit] in?
Feel Good (Tv = Off) [Shinichi Osawa Edit] by Boys Noize is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Feel Good (Tv = Off) [Shinichi Osawa Edit]?
Feel Good (Tv = Off) [Shinichi Osawa Edit] runs at 126 BPM, a club-tempo track.
What mixes well with Feel Good (Tv = Off) [Shinichi Osawa Edit]?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Feel Good (Tv = Off) [Shinichi Osawa Edit] good for peak time?
With energy 89 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Boys Noize
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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