Came Back Haunted
- BPM
- 134
- Open Key
- 11d
- Energy
- 93/100
- Pop
- 53/100
- Length
- 3:39
- Released
- 2026
- Genre
- Techno
- Loudness
- -3.8 dB
- ISRC
- USUG12603241
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Came Back Haunted runs 134 BPM in B♭ major (6B), a peak-time tempo techno record. It reads as punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. The master is loud and heavily compressed. Better known than 96% of Boys Noize's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 86% of Boys Noize's catalogue
- Tempo:
- faster than 79% of Boys Noize's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Came Back Haunted in?
Came Back Haunted by Boys Noize is in B♭ major, or 6B on the Camelot wheel.
What BPM is Came Back Haunted?
Came Back Haunted runs at 134 BPM, a peak-time tempo track.
What mixes well with Came Back Haunted?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Came Back Haunted good for peak time?
With energy 93 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 134 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Boys Noize
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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