Wire - Nathan Fake Remix
30s preview
- BPM
- 134
- Open Key
- 7d
- Energy
- 93/100
- Pop
- 3/100
- Length
- 6:24
- Released
- 2010
- Album
- Jon Hopkins Remixes
- Genre
- Electro
- Loudness
- -5.0 dB
- Dynamics
- 11.8 dB
- ISRC
- GBCEL1000403
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wireoriginal2B · 95
Against the original (2B at 95 BPM), this version runs 39 BPM faster in the same key.
Wire - Nathan Fake Remix is a peak-time tempo electro track in F♯ major (2B) at 134 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. Hotter than 98% of Jon Hopkins's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 95% of Jon Hopkins's catalogue
- Tempo:
- faster than 79% of Jon Hopkins's catalogue
- Reach:
- more underground than 79% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Wire - Nathan Fake Remix in?
Wire - Nathan Fake Remix by Jon Hopkins is in F♯ major, or 2B on the Camelot wheel.
What BPM is Wire - Nathan Fake Remix?
Wire - Nathan Fake Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Wire - Nathan Fake Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Wire - Nathan Fake Remix good for peak time?
With energy 93 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 134 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![1. SK11 [A1] by Setaoc Mass cover art](https://i.scdn.co/image/ab67616d00001e02fa9165e428a8658cfb61c2fc){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
