Glad I Found You (feat. George FitzGerald) - Dusky Remix
30s preview
- BPM
- 134
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 22/100
- Length
- 3:18
- Released
- 2024
- Album
- Glad I Found You (feat. George FitzGerald) [Dusky Remix]
- Genre
- Deep House
- Loudness
- -5.5 dB
- Dynamics
- 10.2 dB
- ISRC
- US38Y2410431
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Glad I Found You (feat. George FitzGerald) - Dusky Remix runs 134 BPM in B♭ minor (3A), a peak-time tempo deep house record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 84% of Dusky's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 78% of Dusky's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Glad I Found You (feat. George FitzGerald) - Dusky Remix in?
Glad I Found You (feat. George FitzGerald) - Dusky Remix by Dusky is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Glad I Found You (feat. George FitzGerald) - Dusky Remix?
Glad I Found You (feat. George FitzGerald) - Dusky Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Glad I Found You (feat. George FitzGerald) - Dusky Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Glad I Found You (feat. George FitzGerald) - Dusky Remix good for peak time?
With energy 92 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 134 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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