Rebel Radio (René LaVice’s Start a Fucking Riot remix)
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 11d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 5:07
- Released
- 2015
- Genre
- Breakbeat
- Loudness
- -4.9 dB
- Dynamics
- 11.0 dB
- ISRC
- GBCEJ1500909
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A breakbeat cut, Rebel Radio (René LaVice’s Start a Fucking Riot remix) sits in B♭ major (6B) at 174 BPM. It reads as dark and driving. Vocals read as voice. The timbre leans dark. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 92% of The Prodigy's catalogue
- Groove:
- less groove-driven than 76% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Rebel Radio (René LaVice’s Start a Fucking Riot remix) in?
Rebel Radio (René LaVice’s Start a Fucking Riot remix) by The Prodigy is in B♭ major, or 6B on the Camelot wheel.
What BPM is Rebel Radio (René LaVice’s Start a Fucking Riot remix)?
Rebel Radio (René LaVice’s Start a Fucking Riot remix) runs at 174 BPM.
What mixes well with Rebel Radio (René LaVice’s Start a Fucking Riot remix)?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Rebel Radio (René LaVice’s Start a Fucking Riot remix) good for peak time?
With energy 96 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 174 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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