Everybody in the Place - Fairground Remix
30s preview
- Key
- 9A · E minor
- BPM
- 137
- Open Key
- 2m
- Energy
- 99/100
- Pop
- 43/100
- Length
- 5:08
- Released
- 1992
- Album
- Experience: Expanded (Remixes & B-sides)
- Genre
- Breakbeat
- Label
- XL Recordings
- Loudness
- -5.6 dB
- Dynamics
- 15.8 dB
- ISRC
- GBBKS9200041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everybody In the Placeoriginal12B · 134
- Everybody in the Place (Fairground Remix)remix9A · 137
- Everybody in the Place - 155 and Risingoriginal10A · 155
- Everybody In The Place (155 And Rising) (Remastered)original10A · 155
- Everybody in the Place (Original)original3B · 131
Against the original (12B at 134 BPM), this version runs 3 BPM faster and moves the key from 12B to 9A.
Everybody in the Place - Fairground Remix runs 137 BPM in E minor (9A), a driving up-tempo breakbeat record. The feel is punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 16 dB). A 1992 production that still circulates in sets. Better known than 97% of The Prodigy's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 94% of The Prodigy's catalogue
- Energy:
- hotter than 86% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Everybody in the Place - Fairground Remix in?
Everybody in the Place - Fairground Remix by The Prodigy is in E minor, or 9A on the Camelot wheel.
What BPM is Everybody in the Place - Fairground Remix?
Everybody in the Place - Fairground Remix runs at 137 BPM, a driving up-tempo track.
What mixes well with Everybody in the Place - Fairground Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Everybody in the Place - Fairground Remix good for peak time?
With energy 99 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 137 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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