Skylined by The Prodigy cover art

Skylined

The Prodigy

30s preview

Key
3A · B♭ minor
BPM
140
Half-time
70
Open Key
8m
Energy
99/100
Pop
0/100
Length
5:58
Released
1994
Album
Music for the Jilted Generation
Genre
Breakbeat
Loudness
-8.9 dB
Dynamics
17.5 dB
ISRC
GBBKS9400120

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Skylined runs 140 BPM in B♭ minor (3A), a driving up-tempo breakbeat record. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 1994 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 92% of The Prodigy's catalogue
Brightness:
darker than 90% of The Prodigy's catalogue
Energy:
hotter than 88% of The Prodigy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood11Dark
Groove62
Acoustic3
Instrumental81
Live44
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Skylined in?

Skylined by The Prodigy is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Skylined?

Skylined runs at 140 BPM, a driving up-tempo track.

What mixes well with Skylined?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Skylined good for peak time?

With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 140 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

#TrackKey·BPM

More breakbeat

#TrackKey·BPM

More from The Prodigy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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