Nasty - Zinc Remix
30s preview
- BPM
- 138
- Open Key
- 8d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 4:11
- Released
- 2014
- Album
- Nasty Remixes
- Genre
- Breakbeat
- Loudness
- -3.8 dB
- Dynamics
- 11.8 dB
- ISRC
- GBCEJ1500442
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nastyoriginal1B · 185
- Nasty - Onen Remixremix10A · 130
- Nasty - Spor Remixremix2B · 172
Against the original (1B at 185 BPM), this version runs 47 BPM slower and moves the key from 1B to 3B.
A driving up-tempo breakbeat cut, Nasty - Zinc Remix sits in D♭ major (3B) at 138 BPM. The feel is bright and euphoric. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Hotter than 99% of The Prodigy's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of The Prodigy's catalogue
- Brightness:
- brighter than 94% of The Prodigy's catalogue
- Groove:
- groovier than 79% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Nasty - Zinc Remix in?
Nasty - Zinc Remix by The Prodigy is in D♭ major, or 3B on the Camelot wheel.
What BPM is Nasty - Zinc Remix?
Nasty - Zinc Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Nasty - Zinc Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Nasty - Zinc Remix good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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