Everybody in the Place (Fairground Remix) by The Prodigy cover art

Everybody in the Place (Fairground Remix)

The Prodigy

30s preview

Key
9A · E minor
BPM
137
Open Key
2m
Energy
99/100
Pop
0/100
Length
5:10
Released
2005
Album
Their Law the Singles 1990 - 2005
Genre
Breakbeat
Loudness
-4.3 dB
Dynamics
13.2 dB
ISRC
GBBKS9100011

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12B at 134 BPM), this version runs 3 BPM faster and moves the key from 12B to 9A.

Everybody in the Place (Fairground Remix) is a driving up-tempo breakbeat track in E minor (9A) at 137 BPM. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2005 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 94% of The Prodigy's catalogue
Low end:
more treble-tilted than 84% of The Prodigy's catalogue
Groove:
less groove-driven than 81% of The Prodigy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood35Balanced
Groove41
Acoustic15
Instrumental1
Live22
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Everybody in the Place (Fairground Remix) in?

Everybody in the Place (Fairground Remix) by The Prodigy is in E minor, or 9A on the Camelot wheel.

What BPM is Everybody in the Place (Fairground Remix)?

Everybody in the Place (Fairground Remix) runs at 137 BPM, a driving up-tempo track.

What mixes well with Everybody in the Place (Fairground Remix)?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Everybody in the Place (Fairground Remix) good for peak time?

With energy 99 out of 100 at 137 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 137 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

#TrackKey·BPM

More breakbeat

#TrackKey·BPM

More from The Prodigy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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