Everybody In the Place
30s preview
- BPM
- 134
- Open Key
- 5d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 3:17
- Released
- 2009
- Album
- World's On Fire
- Genre
- Breakbeat
- Loudness
- -5.4 dB
- Dynamics
- 10.5 dB
- ISRC
- GBCEJ1000186
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everybody in the Place - Fairground Remixremix9A · 137
- Everybody in the Place (Fairground Remix)remix9A · 137
- Everybody in the Place - 155 and Risingoriginal10A · 155
- Everybody In The Place (155 And Rising) (Remastered)original10A · 155
- Everybody in the Place (Original)original3B · 131
A peak-time tempo breakbeat cut, Everybody In the Place sits in E major (12B) at 134 BPM. It reads as dark and driving. It is vocal-led. A 2009 production that still circulates in sets. More treble-tilted than 93% of The Prodigy's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 85% of The Prodigy's catalogue
- Brightness:
- darker than 84% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Everybody In the Place in?
Everybody In the Place by The Prodigy is in E major, or 12B on the Camelot wheel.
What BPM is Everybody In the Place?
Everybody In the Place runs at 134 BPM, a peak-time tempo track.
What mixes well with Everybody In the Place?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Everybody In the Place good for peak time?
With energy 99 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 134 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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