Everybody in the Place (Original)
30s preview
- BPM
- 131
- Open Key
- 8d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 3:40
- Released
- 1991
- Album
- What Evil Lurks
- Genre
- Breakbeat
- Loudness
- -7.3 dB
- Dynamics
- 15.2 dB
- ISRC
- GBBKS9100023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everybody in the Place - Fairground Remixremix9A · 137
- Everybody In the Placeoriginal12B · 134
- Everybody in the Place (Fairground Remix)remix9A · 137
- Everybody in the Place - 155 and Risingoriginal10A · 155
- Everybody In The Place (155 And Rising) (Remastered)original10A · 155
A peak-time tempo breakbeat cut, Everybody in the Place (Original) sits in D♭ major (3B) at 131 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 1991 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 96% of The Prodigy's catalogue
- Low end:
- more treble-tilted than 90% of The Prodigy's catalogue
- Brightness:
- brighter than 86% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Everybody in the Place (Original) in?
Everybody in the Place (Original) by The Prodigy is in D♭ major, or 3B on the Camelot wheel.
What BPM is Everybody in the Place (Original)?
Everybody in the Place (Original) runs at 131 BPM, a peak-time tempo track.
What mixes well with Everybody in the Place (Original)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Everybody in the Place (Original) good for peak time?
With energy 96 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 131 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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