
Charly (Alley Cat Remix) (Remastered)
30s preview
- BPM
- 131
- Open Key
- 4m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:22
- Released
- 1992
- Album
- Experience: Expanded (Remastered)
- Genre
- Breakbeat
- Loudness
- -5.8 dB
- Dynamics
- 15.1 dB
- ISRC
- GBBKS0700123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Charly - Alley Cat Remixremix11A · 131
- Charly - Trip Into Drum and Bass Versionoriginal3B · 145
- Charly (Trip Into Drum And Bass Version) (Remastered)original3B · 145
- Charly (Alley Cat Mix)original11A · 131
- Charly (Original Mix)original3B · 131
Against the original (3B at 145 BPM), this version runs 14 BPM slower and moves the key from 3B to 11A.
Charly (Alley Cat Remix) (Remastered) runs 131 BPM in F♯ minor (11A), a peak-time tempo breakbeat record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 1992 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 82% of The Prodigy's catalogue
- Brightness:
- brighter than 82% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Charly (Alley Cat Remix) (Remastered) in?
Charly (Alley Cat Remix) (Remastered) by The Prodigy is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Charly (Alley Cat Remix) (Remastered)?
Charly (Alley Cat Remix) (Remastered) runs at 131 BPM, a peak-time tempo track.
What mixes well with Charly (Alley Cat Remix) (Remastered)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Charly (Alley Cat Remix) (Remastered) good for peak time?
With energy 92 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 131 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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