Out Of Control - Sasha Club Mix
30s preview
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 11:01
- Released
- 1999
- Album
- Out Of Control
- Genre
- Big Beat
- Loudness
- -5.8 dB
- Dynamics
- 13.1 dB
- ISRC
- GBAAA9900532
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Out Of Controloriginal3A · 132
- Out Of Control - The Avalanches Surrender To Love Mixoriginal1B · 116
- Out Of Control - The Secret Psychedelic Mixoriginal6A · 132
- Out Of Controloriginal4A · 132
Against the original (3A at 132 BPM), this version holds the same tempo and moves the key from 3A to 8B.
At 132 BPM in C major (8B), Out Of Control - Sasha Club Mix is a peak-time tempo big beat production. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 1999 production that still circulates in sets. More underground than 99% of The Chemical Brothers's catalogue.
- Brightness:
- brighter than 89% of The Chemical Brothers's catalogue
- Energy:
- hotter than 85% of The Chemical Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Out Of Control - Sasha Club Mix in?
Out Of Control - Sasha Club Mix by The Chemical Brothers is in C major, or 8B on the Camelot wheel.
What BPM is Out Of Control - Sasha Club Mix?
Out Of Control - Sasha Club Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Out Of Control - Sasha Club Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Out Of Control - Sasha Club Mix good for peak time?
With energy 97 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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