Stand Up
30s preview
- BPM
- 200
- Half-time
- 100
- Open Key
- 7m
- Energy
- 96/100
- Pop
- 29/100
- Length
- 5:30
- Released
- 2009
- Genre
- Big Beat
- Loudness
- -7.2 dB
- Dynamics
- 11.6 dB
- ISRC
- GBCEJ0800396
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stand Up: big beat, E♭ minor (2A), 200 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Faster than 98% of The Prodigy's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 90% of The Prodigy's catalogue
- Groove:
- less groove-driven than 79% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stand Up in?
Stand Up by The Prodigy is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Stand Up?
Stand Up runs at 200 BPM.
What mixes well with Stand Up?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Stand Up good for peak time?
With energy 96 out of 100 at 200 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 200 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 200 — beatmatch without a big tempo pull.
More big beat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.