Cabo Penas by Oscar Mulero cover art

Cabo Penas

Oscar Mulero

30s preview

Key
3B · D♭ major
BPM
200
Half-time
100
Open Key
8d
Energy
88/100
Pop
1/100
Length
5:47
Released
2013
Genre
Idm
Loudness
-10.4 dB
Dynamics
13.1 dB
ISRC
USV351329664

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Cabo Penas is an idm track in D♭ major (3B) at 200 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Faster than 99% of Oscar Mulero's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 91% of Oscar Mulero's catalogue
Low end:
more treble-tilted than 86% of Oscar Mulero's catalogue
Brightness:
brighter than 78% of Oscar Mulero's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood41Balanced
Groove45
Acoustic0
Instrumental45
Live4
Speech18

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Cabo Penas in?

Cabo Penas by Oscar Mulero is in D♭ major, or 3B on the Camelot wheel.

What BPM is Cabo Penas?

Cabo Penas runs at 200 BPM.

What mixes well with Cabo Penas?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Cabo Penas good for peak time?

With energy 88 out of 100 at 200 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 200 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 188-212 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 200 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 200 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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