Molotov Bitch
- Key
- 4A · F minor
- BPM
- 103
- Open Key
- 9m
- Energy
- 97/100
- Pop
- 27/100
- Length
- 4:54
- Released
- 1996
- Genre
- Big Beat
- Loudness
- -5.7 dB
- ISRC
- GBBKS9700095
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Molotov Bitch: slow-groove tempo big beat, F minor (4A), 103 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 1996 production that still circulates in sets. Slower than 92% of The Prodigy's catalogue.
- Groove:
- groovier than 92% of The Prodigy's catalogue
- Reach:
- better known than 88% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Molotov Bitch in?
Molotov Bitch by The Prodigy is in F minor, or 4A on the Camelot wheel.
What BPM is Molotov Bitch?
Molotov Bitch runs at 103 BPM, a slow-groove tempo track.
What mixes well with Molotov Bitch?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Molotov Bitch good for peak time?
With energy 97 out of 100 at 103 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 103 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 97-109 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 103 — beatmatch without a big tempo pull.
More big beat
More from The Prodigy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 103 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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