Leave Home - Terror Drums
30s preview
- BPM
- 108
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 8/100
- Length
- 3:49
- Released
- 1995
- Album
- Life Is Sweet
- Genre
- Big Beat
- Loudness
- -12.5 dB
- Dynamics
- 15.4 dB
- ISRC
- GBAAA9500242
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Leave Homeoriginal10B · 108
- Leave Home - Live At Lowlands Festival, 1997original9B · 108
- Leave Home - Radio Editversion10B · 108
- Leave Home - Underworld Mix Ioriginal10A · 140
- Leave Home - Underworld Mix IIoriginal3B · 135
- Leave Home - The Sabres Of Paradise Mixoriginal9B · 94
A mid-tempo big beat cut, Leave Home - Terror Drums sits in B minor (10A) at 108 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 1995 production that still circulates in sets. Groovier than 88% of The Chemical Brothers's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 87% of The Chemical Brothers's catalogue
- Brightness:
- brighter than 85% of The Chemical Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Leave Home - Terror Drums in?
Leave Home - Terror Drums by The Chemical Brothers is in B minor, or 10A on the Camelot wheel.
What BPM is Leave Home - Terror Drums?
Leave Home - Terror Drums runs at 108 BPM, a mid-tempo track.
What mixes well with Leave Home - Terror Drums?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Leave Home - Terror Drums good for peak time?
With energy 91 out of 100 at 108 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 108 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More big beat
More from The Chemical Brothers
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.