Medusa’s Path by The Prodigy cover art

Medusa’s Path

The Prodigy

30s preview

Key
3A · B♭ minor
BPM
110
Open Key
8m
Energy
85/100
Pop
0/100
Length
6:09
Released
2004
Genre
Breakbeat
Loudness
-5.8 dB
Dynamics
14.6 dB
ISRC
GBBKS0461555

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 110 BPM in B♭ minor (3A), Medusa’s Path is a mid-tempo breakbeat production. The mix is almost entirely instrumental. Its spectrum is focused in the upper-mids, present and forward. The master keeps unusual dynamic range for club music (crest 15 dB). A 2004 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 99% of The Prodigy's catalogue
Tempo:
slower than 88% of The Prodigy's catalogue
Energy:
calmer than 82% of The Prodigy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood21Dark
Groove61
Acoustic1
Instrumental76
Live13
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
8%
Low
30-130 Hz
42%
Low-mid
130-570 Hz
48%
Upper-mid
570 Hz-2.5 kHz
2%
High
2.5-11 kHz

FAQ

What key is Medusa’s Path in?

Medusa’s Path by The Prodigy is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Medusa’s Path?

Medusa’s Path runs at 110 BPM, a mid-tempo track.

What mixes well with Medusa’s Path?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Medusa’s Path good for peak time?

With energy 85 out of 100 at 110 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 110 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

#TrackKey·BPM

More breakbeat

More from The Prodigy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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