O Sinal Das Winx - (Instrumental)
30s preview
- BPM
- 109
- Open Key
- 10d
- Energy
- 84/100
- Pop
- 1/100
- Length
- 3:01
- Released
- 2008
- Album
- Winx Club
- Genre
- Acid
- Loudness
- -7.8 dB
- Dynamics
- 15.5 dB
- ISRC
- PTBM10800071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- O Sinal Das Winxoriginal5B · 109
Against the original (5B at 109 BPM), this version holds the same tempo in the same key.
O Sinal Das Winx - (Instrumental) is a mid-tempo acid track in E♭ major (5B) at 109 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). A 2008 production that still circulates in sets. Brighter than 97% of Josh Wink's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 89% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is O Sinal Das Winx - (Instrumental) in?
O Sinal Das Winx - (Instrumental) by Josh Wink is in E♭ major, or 5B on the Camelot wheel.
What BPM is O Sinal Das Winx - (Instrumental)?
O Sinal Das Winx - (Instrumental) runs at 109 BPM, a mid-tempo track.
What mixes well with O Sinal Das Winx - (Instrumental)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is O Sinal Das Winx - (Instrumental) good for peak time?
With energy 84 out of 100 at 109 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 109 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 102-116 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 109 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 109 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
