Adam (act like)
- BPM
- 113
- Open Key
- 3d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 2:40
- Released
- 2020
- Genre
- House
- Loudness
- -10.4 dB
- ISRC
- GB1302000319
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Adam (act like)original10A · 54
Adam (act like) runs 113 BPM in D major (10B), a mid-tempo house record. It reads as dark and driving. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. More underground than 99% of Fred again's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 77% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Adam (act like) in?
Adam (act like) by Fred again is in D major, or 10B on the Camelot wheel.
What BPM is Adam (act like)?
Adam (act like) runs at 113 BPM, a mid-tempo track.
What mixes well with Adam (act like)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Adam (act like) good for peak time?
With energy 77 out of 100 at 113 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 113 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 106-120 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 113 — beatmatch without a big tempo pull.
More house
More from Fred again
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 113 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.