Funk Alive
- BPM
- 116
- Open Key
- 4d
- Energy
- 78/100
- Pop
- 8/100
- Length
- 5:36
- Released
- 2017
- Genre
- Deep House
- Loudness
- -8.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Funk Aliveoriginal11B · 116
A mid-tempo deep house cut, Funk Alive sits in A major (11B) at 116 BPM. A 2017 production that still circulates in sets. Slower than 99% of Chris Stussy's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 91% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Funk Alive in?
Funk Alive by Chris Stussy is in A major, or 11B on the Camelot wheel.
What BPM is Funk Alive?
Funk Alive runs at 116 BPM, a mid-tempo track.
What mixes well with Funk Alive?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Funk Alive good for peak time?
With energy 78 out of 100 at 116 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 116 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
