Put Some Stank On It - Original Mix by Sishi Rösch cover art

Put Some Stank On It - Original Mix

Sishi Rösch

Key
3B · D♭ major
BPM
116
Open Key
8d
Energy
75/100
Pop
0/100
Length
7:18
Released
2011
Album
Shake That Assid - EP
Genre
Tech House
Loudness
-8.4 dB
ISRC
FR6V81131752

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Put Some Stank On It - Original Mix: mid-tempo tech house, D♭ major (3B), 116 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. A 2011 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 98% of Sishi Rösch's catalogue
Tempo:
slower than 91% of Sishi Rösch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood42Balanced
Groove90
Acoustic0
Instrumental49
Live14
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Put Some Stank On It - Original Mix in?

Put Some Stank On It - Original Mix by Sishi Rösch is in D♭ major, or 3B on the Camelot wheel.

What BPM is Put Some Stank On It - Original Mix?

Put Some Stank On It - Original Mix runs at 116 BPM, a mid-tempo track.

What mixes well with Put Some Stank On It - Original Mix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Put Some Stank On It - Original Mix good for peak time?

With energy 75 out of 100 at 116 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 116 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 116 — beatmatch without a big tempo pull.

#Track

More tech house

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track