Agora que és tu e eu by Josh Wink cover art

Agora que és tu e eu

Josh Wink

30s preview

Key
6B · B♭ major
BPM
116
Open Key
11d
Energy
65/100
Pop
0/100
Length
3:38
Released
2010
Album
Believix
Genre
Acid
Loudness
-6.6 dB
Dynamics
12.9 dB
ISRC
PTBM11000204

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 116 BPM in B♭ major (6B), Agora que és tu e eu is a mid-tempo acid production. Tonally it lands punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 89% of Josh Wink's catalogue
Tempo:
slower than 84% of Josh Wink's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood39Balanced
Groove54
Acoustic1
Instrumental0
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Agora que és tu e eu in?

Agora que és tu e eu by Josh Wink is in B♭ major, or 6B on the Camelot wheel.

What BPM is Agora que és tu e eu?

Agora que és tu e eu runs at 116 BPM, a mid-tempo track.

What mixes well with Agora que és tu e eu?

From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.

Is Agora que és tu e eu good for peak time?

With energy 65 out of 100 at 116 BPM, it works best as a mid-set roller.

Mixes harmonically

6B5B · 7B · 6A

From 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.

#Track

Every move from 6B

7BSimple Mix Upper
5BSimple Mix Downer
6ATonal Shift·
7ADiagonal Mix Upper
5ADiagonal Mix Downer
9ACompatible Tone·
8BHigh Energy Boost▲▲▲
4BHigh Energy Drain▼▼▼
9BParallel Key Upper▲▲
3BParallel Key Downer▼▼
1BTritone Jump▲▲
10BRelated Keyrisky

How to mix it

In 6B at 116 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.

Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 116 — beatmatch without a big tempo pull.

#Track

More acid

More from Josh Wink

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track