No More Hits
30s preview
- BPM
- 117
- Open Key
- 4m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 6:26
- Released
- 2012
- Album
- No More Hits - EP
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 12.2 dB
- ISRC
- FR9W11204239
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
No More Hits runs 117 BPM in F♯ minor (11A), a mid-tempo tech house record. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 89% of Sishi Rösch's catalogue
- Energy:
- calmer than 81% of Sishi Rösch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is No More Hits in?
No More Hits by Sishi Rösch is in F♯ minor, or 11A on the Camelot wheel.
What BPM is No More Hits?
No More Hits runs at 117 BPM, a mid-tempo track.
What mixes well with No More Hits?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is No More Hits good for peak time?
With energy 57 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 117 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More tech house
More from Sishi Rösch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
