Damn Right
- BPM
- 117
- Open Key
- 3d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 4:29
- Released
- 2014
- Album
- Bush Whiskey
- Genre
- Tech House
- Loudness
- -5.5 dB
- ISRC
- USH731400017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 117 BPM in D major (10B), Damn Right is a mid-tempo tech house production. Tonally it lands dark and steady. It is vocal-led. A 2014 production that still circulates in sets. Less groove-driven than 99% of Jamie Jones's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Jamie Jones's catalogue
- Tempo:
- slower than 91% of Jamie Jones's catalogue
- Brightness:
- darker than 82% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Damn Right in?
Damn Right by Jamie Jones is in D major, or 10B on the Camelot wheel.
What BPM is Damn Right?
Damn Right runs at 117 BPM, a mid-tempo track.
What mixes well with Damn Right?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Damn Right good for peak time?
With energy 56 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 117 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More tech house
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
