Miles to Go
30s preview
- BPM
- 118
- Open Key
- 9d
- Energy
- 57/100
- Pop
- 0/100
- Length
- 5:33
- Released
- 2018
- Album
- Stay Close to Me
- Genre
- Tech House
- Loudness
- -11.0 dB
- Dynamics
- 11.7 dB
- ISRC
- DENC31700094
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Miles to Gooriginal4B · 118
- Miles to Gooriginal4B · 118
At 118 BPM in A♭ major (4B), Miles to Go is a mid-tempo tech house production. It reads as bright and easy. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Andhim's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 96% of Andhim's catalogue
- Brightness:
- brighter than 94% of Andhim's catalogue
- Energy:
- calmer than 83% of Andhim's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Miles to Go in?
Miles to Go by Andhim is in A♭ major, or 4B on the Camelot wheel.
What BPM is Miles to Go?
Miles to Go runs at 118 BPM, a mid-tempo track.
What mixes well with Miles to Go?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Miles to Go good for peak time?
With energy 57 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 118 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More tech house
More from Andhim
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
