Love's Got Me High - Marc Romboy's Systematic Soul Dub
30s preview
- BPM
- 118
- Open Key
- 3m
- Energy
- 60/100
- Pop
- 17/100
- Length
- 6:00
- Released
- 2012
- Album
- Love's Got Me High (Systematic Presents Lost Treasures, Vol. 2)
- Genre
- Tech House
- Loudness
- -9.5 dB
- Dynamics
- 13.2 dB
- ISRC
- DEDL81101673
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love's Got Me High - Marc Romboy's Systematic Soul Mixoriginal10A · 118
Against the original (10A at 118 BPM), this version holds the same tempo in the same key.
Love's Got Me High - Marc Romboy's Systematic Soul Dub runs 118 BPM in B minor (10A), a mid-tempo tech house record. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. Brighter than 98% of Marc Romboy's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 93% of Marc Romboy's catalogue
- Groove:
- groovier than 90% of Marc Romboy's catalogue
- Reach:
- better known than 90% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Love's Got Me High - Marc Romboy's Systematic Soul Dub in?
Love's Got Me High - Marc Romboy's Systematic Soul Dub by Marc Romboy is in B minor, or 10A on the Camelot wheel.
What BPM is Love's Got Me High - Marc Romboy's Systematic Soul Dub?
Love's Got Me High - Marc Romboy's Systematic Soul Dub runs at 118 BPM, a mid-tempo track.
What mixes well with Love's Got Me High - Marc Romboy's Systematic Soul Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Love's Got Me High - Marc Romboy's Systematic Soul Dub good for peak time?
With energy 60 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 118 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More tech house
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
