Once Over Twice by Amtrac cover art

Once Over Twice

Amtrac

30s preview

Key
9A · E minor
BPM
118
Open Key
2m
Energy
62/100
Pop
10/100
Length
6:38
Released
2017
Album
Habitual Ritual
Genre
House
Loudness
-12.1 dB
Dynamics
20.4 dB
ISRC
QMJYS1700427

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Once Over Twice is a mid-tempo house track in E minor (9A) at 118 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2017 production that still circulates in sets. More treble-tilted than 98% of Amtrac's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 86% of Amtrac's catalogue
Energy:
calmer than 81% of Amtrac's catalogue
Groove:
less groove-driven than 79% of Amtrac's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy62
Mood8Dark
Groove64
Acoustic1
Instrumental83
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
18%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
29%
Upper-mid
570 Hz-2.5 kHz
23%
High
2.5-11 kHz

FAQ

What key is Once Over Twice in?

Once Over Twice by Amtrac is in E minor, or 9A on the Camelot wheel.

What BPM is Once Over Twice?

Once Over Twice runs at 118 BPM, a mid-tempo track.

What mixes well with Once Over Twice?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Once Over Twice good for peak time?

With energy 62 out of 100 at 118 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 118 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 118 — beatmatch without a big tempo pull.

More house

More from Amtrac

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track