You Won't - Part Of Me
30s preview
- BPM
- 118
- Open Key
- 3m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 5:54
- Released
- 2014
- Album
- You Won't
- Genre
- House
- Loudness
- -10.7 dB
- Dynamics
- 12.2 dB
- ISRC
- GB8KE1356828
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Won'toriginal9A · 110
- You Won't - Dapa Deeporiginal10A · 120
- You Won't - Shimmer (NL)original9A · 110
You Won't - Part Of Me runs 118 BPM in B minor (10A), a mid-tempo house record. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Ashibah's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 93% of Ashibah's catalogue
- Energy:
- calmer than 77% of Ashibah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is You Won't - Part Of Me in?
You Won't - Part Of Me by Ashibah is in B minor, or 10A on the Camelot wheel.
What BPM is You Won't - Part Of Me?
You Won't - Part Of Me runs at 118 BPM, a mid-tempo track.
What mixes well with You Won't - Part Of Me?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is You Won't - Part Of Me good for peak time?
With energy 61 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 118 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
