Corrected
30s preview
- BPM
- 118
- Open Key
- 5m
- Energy
- 59/100
- Pop
- 24/100
- Length
- 7:08
- Released
- 2018
- Album
- Boarding Call
- Genre
- Deep House
- Loudness
- -12.7 dB
- Dynamics
- 12.7 dB
- ISRC
- US83Z1804642
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 118 BPM in D♭ minor (12A), Corrected is a mid-tempo deep house production. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Brighter than 89% of Armen Miran's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 80% of Armen Miran's catalogue
- Low end:
- more bass-heavy than 78% of Armen Miran's catalogue
- Tempo:
- slower than 77% of Armen Miran's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Corrected in?
Corrected by Armen Miran is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Corrected?
Corrected runs at 118 BPM, a mid-tempo track.
What mixes well with Corrected?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Corrected good for peak time?
With energy 59 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 118 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More deep house
More from Armen Miran
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
