Inevitable Ending - Viken Arman & Goldcap Remix
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8m
- Energy
- 48/100
- Pop
- 39/100
- Length
- 14:21
- Released
- 2016
- Album
- Inevitable Ending
- Genre
- Deep House
- Label
- Sol Selectas
- Loudness
- -12.4 dB
- Dynamics
- 18.5 dB
- ISRC
- US83Z1655422
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Inevitable Endingoriginal9A · 116
Against the original (9A at 116 BPM), this version runs 16 BPM slower and moves the key from 9A to 3A.
A slow-groove tempo deep house cut, Inevitable Ending - Viken Arman & Goldcap Remix sits in B♭ minor (3A) at 100 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2016 production that still circulates in sets. Groovier than 99% of Armen Miran's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 97% of Armen Miran's catalogue
- Brightness:
- darker than 96% of Armen Miran's catalogue
- Reach:
- better known than 95% of Armen Miran's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Inevitable Ending - Viken Arman & Goldcap Remix in?
Inevitable Ending - Viken Arman & Goldcap Remix by Armen Miran is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Inevitable Ending - Viken Arman & Goldcap Remix?
Inevitable Ending - Viken Arman & Goldcap Remix runs at 100 BPM, a slow-groove tempo track.
What mixes well with Inevitable Ending - Viken Arman & Goldcap Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Inevitable Ending - Viken Arman & Goldcap Remix good for peak time?
With energy 48 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More deep house
More from Armen Miran
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
