Work Da Middle by Sishi Rösch cover art

Work Da Middle

Sishi Rösch

Key
9A · E minor
BPM
119
Open Key
2m
Energy
56/100
Pop
0/100
Length
8:27
Released
2012
Album
Ruckus in the Ghetto Ep
Genre
Tech House
Loudness
-8.3 dB
ISRC
FR6V80056773

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Work Da Middle sits in E minor (9A) at 119 BPM. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 86% of Sishi Rösch's catalogue
Energy:
calmer than 82% of Sishi Rösch's catalogue
Tempo:
slower than 77% of Sishi Rösch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy56
Mood53Balanced
Groove70
Acoustic0
Instrumental77
Live14
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Work Da Middle in?

Work Da Middle by Sishi Rösch is in E minor, or 9A on the Camelot wheel.

What BPM is Work Da Middle?

Work Da Middle runs at 119 BPM, a club-tempo track.

What mixes well with Work Da Middle?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Work Da Middle good for peak time?

With energy 56 out of 100 at 119 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 119 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 119 — beatmatch without a big tempo pull.

More tech house

More from Sishi Rösch

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track