Light Up the Sky (Live)
- Key
- 4A · F minor
- BPM
- 116
- Open Key
- 9m
- Energy
- 95/100
- Pop
- 19/100
- Length
- 2:06
- Released
- 2018
- Genre
- Breakbeat
- Loudness
- -7.5 dB
- ISRC
- GBZA41800423
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Light Up the Sky (PENGSHUi Remix)remix3B · 140
- Light Up the Skyoriginal3B · 160
- Light Up the Sky - Special Request Remixremix3B · 130
Against the original (3B at 160 BPM), this version runs 44 BPM slower and moves the key from 3B to 4A.
Light Up the Sky (Live) runs 116 BPM in F minor (4A), a mid-tempo breakbeat record. The feel is dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. A 2018 production that still circulates in sets. Less groove-driven than 96% of The Prodigy's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 86% of The Prodigy's catalogue
- Brightness:
- darker than 82% of The Prodigy's catalogue
- Reach:
- better known than 81% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Light Up the Sky (Live) in?
Light Up the Sky (Live) by The Prodigy is in F minor, or 4A on the Camelot wheel.
What BPM is Light Up the Sky (Live)?
Light Up the Sky (Live) runs at 116 BPM, a mid-tempo track.
What mixes well with Light Up the Sky (Live)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Light Up the Sky (Live) good for peak time?
With energy 95 out of 100 at 116 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 116 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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