Get Your Fight On (Live at Alexandra Palace 2015)
30s preview
- Key
- 8B · C major
- BPM
- 121
- Open Key
- 1d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 3:49
- Released
- 2015
- Album
- The Day Is My Enemy (Expanded Edition)
- Genre
- Breakbeat
- Loudness
- -1.7 dB
- Dynamics
- 9.6 dB
- ISRC
- GBCEJ1501026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Your Fight Onoriginal9B · 123
- Get Your Fight On - Re Eqoriginal4A · 123
Against the original (9B at 123 BPM), this version runs 2 BPM slower and moves the key from 9B to 8B.
Get Your Fight On (Live at Alexandra Palace 2015): club-tempo breakbeat, C major (8B), 121 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of The Prodigy's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 98% of The Prodigy's catalogue
- Energy:
- hotter than 97% of The Prodigy's catalogue
- Brightness:
- darker than 96% of The Prodigy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Get Your Fight On (Live at Alexandra Palace 2015) in?
Get Your Fight On (Live at Alexandra Palace 2015) by The Prodigy is in C major, or 8B on the Camelot wheel.
What BPM is Get Your Fight On (Live at Alexandra Palace 2015)?
Get Your Fight On (Live at Alexandra Palace 2015) runs at 121 BPM, a club-tempo track.
What mixes well with Get Your Fight On (Live at Alexandra Palace 2015)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Get Your Fight On (Live at Alexandra Palace 2015) good for peak time?
With energy 100 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 121 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More breakbeat
More from The Prodigy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.