Loops Of Fury - Live At Lowlands Festival, 1997
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 16/100
- Length
- 4:34
- Released
- 2022
- Album
- Dig Your Own Hole (25th Anniversary Edition)
- Genre
- Big Beat
- Loudness
- -4.3 dB
- Dynamics
- 12.6 dB
- ISRC
- GBUM72204849
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loops Of Furyoriginal3A · 119
- Loops Of Furyoriginal8A · 119
Against the original (3A at 119 BPM), this version runs 1 BPM faster in the same key.
A club-tempo big beat cut, Loops Of Fury - Live At Lowlands Festival, 1997 sits in B♭ minor (3A) at 120 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 88% of The Chemical Brothers's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 80% of The Chemical Brothers's catalogue
- Low end:
- more treble-tilted than 80% of The Chemical Brothers's catalogue
- Groove:
- less groove-driven than 79% of The Chemical Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Loops Of Fury - Live At Lowlands Festival, 1997 in?
Loops Of Fury - Live At Lowlands Festival, 1997 by The Chemical Brothers is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Loops Of Fury - Live At Lowlands Festival, 1997?
Loops Of Fury - Live At Lowlands Festival, 1997 runs at 120 BPM, a club-tempo track.
What mixes well with Loops Of Fury - Live At Lowlands Festival, 1997?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Loops Of Fury - Live At Lowlands Festival, 1997 good for peak time?
With energy 98 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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