ff297-3
- BPM
- 120
- Open Key
- 6m
- Energy
- 99/100
- Pop
- 3/100
- Length
- 3:36
- Released
- 2015
- Genre
- Techno
- Loudness
- -11.6 dB
- ISRC
- USQY51732238
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, ff297-3 sits in A♭ minor (1A) at 120 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Hotter than 97% of Helena Hauff's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 92% of Helena Hauff's catalogue
- Tempo:
- slower than 82% of Helena Hauff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is ff297-3 in?
ff297-3 by Helena Hauff is in A♭ minor, or 1A on the Camelot wheel.
What BPM is ff297-3?
ff297-3 runs at 120 BPM, a club-tempo track.
What mixes well with ff297-3?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is ff297-3 good for peak time?
With energy 99 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More techno
More from Helena Hauff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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