Lies
30s preview
- BPM
- 120
- Open Key
- 9d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:22
- Released
- 2016
- Genre
- House
- Loudness
- -10.7 dB
- Dynamics
- 19.7 dB
- ISRC
- DETB31641023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lies - Matteo Luis Remixremix4A · 122
A club-tempo house cut, Lies sits in A♭ major (4B) at 120 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). A 2016 production that still circulates in sets. More underground than 99% of Marlon Hoffstadt's catalogue.
- Low end:
- more treble-tilted than 95% of Marlon Hoffstadt's catalogue
- Energy:
- hotter than 92% of Marlon Hoffstadt's catalogue
- Tempo:
- slower than 91% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 19%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 30%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Lies in?
Lies by Marlon Hoffstadt is in A♭ major, or 4B on the Camelot wheel.
What BPM is Lies?
Lies runs at 120 BPM, a club-tempo track.
What mixes well with Lies?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Lies good for peak time?
With energy 98 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
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More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
