Turning Pages - Alex O'Rion Marathon Edit
30s preview
- BPM
- 120
- Open Key
- 11d
- Energy
- 98/100
- Pop
- 5/100
- Length
- 7:32
- Released
- 2020
- Album
- Turning Pages
- Genre
- Progressive House
- Loudness
- -7.9 dB
- Dynamics
- 13.8 dB
- ISRC
- US83Z1937062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turning Pagesoriginal3B · 122
Against the original (3B at 122 BPM), this version runs 2 BPM slower and moves the key from 3B to 6B.
At 120 BPM in B♭ major (6B), Turning Pages - Alex O'Rion Marathon Edit is a club-tempo progressive house production. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). Hotter than 99% of Cid Inc's catalogue.
- Low end:
- more treble-tilted than 97% of Cid Inc's catalogue
- Brightness:
- brighter than 96% of Cid Inc's catalogue
- Tempo:
- slower than 95% of Cid Inc's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Turning Pages - Alex O'Rion Marathon Edit in?
Turning Pages - Alex O'Rion Marathon Edit by Cid Inc is in B♭ major, or 6B on the Camelot wheel.
What BPM is Turning Pages - Alex O'Rion Marathon Edit?
Turning Pages - Alex O'Rion Marathon Edit runs at 120 BPM, a club-tempo track.
What mixes well with Turning Pages - Alex O'Rion Marathon Edit?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Turning Pages - Alex O'Rion Marathon Edit good for peak time?
With energy 98 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 120 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Cid Inc
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
